In “journey” an animated figure strolls along a path among a striking mountain range. The same figure appears in a dark, endless, cavernous corridor. The journey seems endless, pointless, a journey which drags on and feels like it is going nowhere until it turns out the figure makes it to nowhere. The landscape defines the figure as much as the figure defines the landscape. The figure is driven on the narrow path that exists and goes on to form and reinforce this same path. The existence of the figure is passive, it does not challenge its environment it wiggles into oblivion almost robotically.

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