 My present work is a deep dive into the discourse of semiotics and modes of perception with the use of specific mediums to create alternate and multiple takes or realities that interact with each other in open dialogs, presenting the figure in specific and diverse scenarios and paying attention to contemporary fashion, gazes and composition. In this body of work, I refer to the cannon of art history as well as my previous bodies of work. This body of work initially started as a reaction to the discourse on presence and absence in western art history. 

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4TH Night in Dakar